Magazines and Journals

Some articles by Alex U. Case:

  • “Beyond the Pan Pot – A Plea for the Depth Dimension.” Recording Magazine, Music Maker Publications, Vol. 22, Number 3, December 2008: 30-31.
  • “The In-Yer-Face Vocal – Objects in Loudspeaker Are As Close As They Can Possibly Appear.” Recording Magazine, Music Maker Publications, Vol. 21, Number 12, September 2008:16-18.
  • “Equal Loudness Contours – An Introduction To A Key Element In How We Perceive Sound.” Recording Magazine, Music Maker Publications, Vol. 21, Number 12, September 2008: 20-21.
  • “Variable Audio Paranoia – Part 2 (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 20, Number 7, April 2007: 96.
  • “Variable Audio Paranoia – Part 1 (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 20, Number 6, March 2007: 104.
  • “To School, Or Not To School:  That Is The Question.” Invited contribution to premier issue, Audio Engineering Society Student Delegates Assembly On Line Edition, http://www.aes-sda.org, Audio Engineering Society, February 2007.
  • “Premeditated Moments of Experimentation – Part 2 (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 20, Number 4, January 2007: 96.
  • “Premeditated Moments of Experimentation – Part 1 (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 20, Number 3, December 2006: 96.
  • “Recording’s Guitar Column:  Acoustic Equalization on the Electric Guitar.” Recording Magazine, Music Maker Publications, Vol. 19, Number 8, May 2006: 22-23.
  • “Recording’s Drum Column:  Unreal Overheads in the Real World.” Recording Magazine, Music Maker Publications, Vol. 19, Number 8, May 2006: 48.
  • “Recording’s Guitar Column:  There’s More than One Way to Double a Guitar.” Recording Magazine, Music Maker Publications, Vol. 18, Number 7, April 2005: 48-50.
  • “Does Getting Serious About Audio Mean Becoming a Student?  The Case for Recording Schools.” Recording Magazine, Music Maker Publications, Vol. 18, Number 6, March 2005: 20-24.
  • “The Apprentice (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 18, Number 6, March 2005: 104.
  • “Stairway to Reverb.” www.acoustics.org, Acoustical Society of America, Invited Lay Language Paper, May 2004.
  • “Intuitive Acoustics:  Musicians Find Their Place in New York’s Subway Stations” www.acoustics.org, Acoustical Society of America, Invited Lay Language Paper, May 2004.
  • “Talking about the Talkback Microphone (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 17, Number 5, February 2004: 104.
  • “Audio Superstition (back page editorial).” Recording Magazine, Music Maker Publications, Vol. 17, Number 3, Dec, 2003: 104.
  • “Loudspeakers.” Recording Magazine, Music Maker Publications, Vol. 14, Number 12, September 2001: 56-60. (part 30 of monthly column “The Nuts and Bolts of Recording”)
  • “MIDI in the Studio.” Recording Magazine, Music Maker Publications, Vol. 14, Number 11, August 2001: pp. 56-57. (part 29 of monthly column “The Nuts and Bolts of Recording”)
  • “Volume Part 2 – Beyond Faders, It’s an Effect.” Recording Magazine, Music Maker Publications, Vol. 14, Number 10, July 2001: 74-77. (part 28 of monthly column “The Nuts and Bolts of Recording”)
  • “Volume Part 1 – Fiddling with Faders.” Recording Magazine, Music Maker Publications, Vol. 14, Number 9, June 2001: 56-60. (part 27 of monthly column “The Nuts and Bolts of Recording”)
  • “The Channel Strip.” Recording Magazine, Music Maker Publications, Vol. 14, Number 8, May 2001: 58-60. (part 26 of monthly column “The Nuts and Bolts of Recording”)
  • “Misapplying Effects – The April Fool’s Day Issue That Ain’t No Joke.” Recording Magazine, Music Maker Publications, Vol. 14, Number 7, April 2001: 80-83. (part 25 of monthly column “The Nuts and Bolts of Recording”)
  • “Studio Documentation Part 2 – The Take Sheet, the Setup Sheet, and the Recall Sheet.” Recording Magazine, Music Maker Publications, Vol. 14, Number 6, March 2001: 72-78. (part 24 of monthly column “The Nuts and Bolts of Recording”)
  • “Studio Documentation Part 1 – The Track Sheet.” Recording Magazine, Music Maker Publications, Vol. 14, Number 5, February 2001: 90-99. (part 23 of monthly column “The Nuts and Bolts of Recording”)
  • “Reverb Part 3 – Reverb on the Edge.” Recording Magazine, Music Maker Publications, Vol. 14, Number 4, January 2001: 54-57 (part 22 of monthly column “The Nuts and Bolts of Recording”)
  • “Reverb Part 2 – Distilling the Options.” Recording Magazine, Music Maker Publications, Vol. 14, Number 3, December 2000: 56-60. (part 21 of monthly column “The Nuts and Bolts of Recording”)
  • “Reverb Part 1 – A Look Under the Hood.” Recording Magazine, Music Maker Publications, Vol. 14, Number 2, November 2000: 72-78. (part 20 of monthly column “The Nuts and Bolts of Recording”)
  • “Pitch Shifting.” Recording Magazine, Music Maker Publications, Vol. 14, Number 1, October, 2000: 92-98. (part 19 of monthly column “The Nuts and Bolts of Recording”)
  • “Demystifying the Decibel.” Recording Magazine, Music Maker Publications, Vol. 14, Number 1, October, 2000: 80-84. (part 18 of monthly column “The Nuts and Bolts of Recording”)
  • “The Short Delay Part 2 – Flange and Chorus.” Recording Magazine, Music Maker Publications, Vol. 13, Number 12, September 2000: 72-76. (part 17 of monthly column “The Nuts and Bolts of Recording”)
  • “The Short Delay Part 1 – Untangling the Comb Filter.” Recording Magazine, Music Maker Publications, Vol. 13, Number 11, August 2000: 53-57. (part 16 of monthly column “The Nuts and Bolts of Recording”)
  • “The Delay – One Device, Many Effects.” Recording Magazine, Music Maker Publications, Vol. 13, Number 10, July 2000: 74-80. (part 15 of monthly column “The Nuts and Bolts of Recording”)
  • “Recording Sessions Part 2 – The Multitrack Session.” Recording Magazine, Music Maker Publications, Vol. 13, Number 9, June 2000: 64-70. (part 14 of monthly column “The Nuts and Bolts of Recording”)
  • “Recording Sessions Part 1 – Pre-Production and Live Recording.” Recording Magazine, Music Maker Publications, Vol. 13, Number 8, May 2000, 60-66. (part 13 of monthly column “The Nuts and Bolts of Recording”)
  • “Mejorando La Imagen.” Músico Pro, Music Maker Publications, Vol. 7, Number 1, May 2000: 54-56.
  • “Mixdown by Numbers – The Story of a Basic Multitrack Mixdown.” Recording Magazine, Music Maker Publications, Vol. 13, Number 7, April 2000: 24-30. (part 12 of monthly column “The Nuts and Bolts of Recording”)
  • “Grabando El Piano.” Músico Pro, Music Maker Publications, Vol. 6, Number 11, April 2000: 66.
  • “Compressors – What Happens When You Ignore What They Were Originally Designed to Do?” Recording Magazine, Music Maker Publications, Vol. 13, Number 6, March 2000: 50-58. (part 11 of monthly column “The Nuts and Bolts of Recording”)
  • “Equalization Part 2 – Applications.” Recording Magazine, Music Maker Publications, Vol. 13, Number 5, February 2000: 77-84. (part 10 of monthly column “The Nuts and Bolts of Recording”)
  • “Equalization Part 1 – Theory and Operation.” Recording Magazine, Music Maker Publications, Vol. 13, Number 4: January 2000, 32-44. (part 9 of monthly column “The Nuts and Bolts of Recording”)
  • “Microphones Part 3 – Specifications and Controls.” Recording Magazine, Music Maker Publications, Vol. 13, Number 3, December 1999: 50-56. (part 8 of monthly column “The Nuts and Bolts of Recording”)
  • “Microphones Part 2 – Measuring Air Pressure and Air Velocity (Which Way Is Up?).” Recording Magazine, Music Maker Publications, Vol. 13, Number 2, November 1999: 50-60. (part 7 of monthly column “The Nuts and Bolts of Recording”)
  • “Microphones Part 1 – Transducer Designs.” Recording Magazine, Music Maker Publications, Vol. 13, Number 1, October 1999: 82-86. (part 6 of monthly column “The Nuts and Bolts of Recording”)
  • “Mix Automation Part 2:  Advice and Warnings.” Recording Magazine, Music Maker Publications, Vol. 12, Number 12, September 1999: 32-38. (part 5 of monthly column “The Nuts and Bolts of Recording”)
  • “Multitrack Recorders –  All About the Machine at the Center of Every Studio.” Recording Magazine, Music Maker Publications, Vol. 12, Number 12, September 1999: 46-52. (part 4 of monthly column “The Nuts and Bolts of Recording”)
  • “Mix Automation Part 1:  The Fundamentals.” Recording Magazine, Music Maker Publications, Vol. 12, Number 11, August 1999: 58-65. (part 3 of monthly column “The Nuts and Bolts of Recording”)
  • “Outboard Signal Processing.” Recording Magazine, Music Maker Publications, Vol. 12, Number 11, August 1999: 42-46. (part 2 of monthly column “The Nuts and Bolts of Recording”)
  • “Consoles and Connections.” Recording Magazine, Music Maker Publications, Vol. 12, Number 10, July 1999: 60-71. (part 1 of monthly column “The Nuts and Bolts of Recording”)
  • “The Snare Drum – Mastering the Art of Noise.” Recording Magazine, Music Maker Publications, Vol. 12, Number 14, January 1999: 22-28.
  • “The p’s and f’s of Piano Production.” Recording Magazine, Music Maker Publications, Vol. 11, Number 6, March 1998: 80-84.
  • “Rationalizing the Gear Universe.” Recording Magazine, Music Maker Publications, Vol. 11, Number 5, February 1998: 96-101.
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