Erase Me

The goal is to sketch out key moments when recording craft contributed notably to the final sound. Each entry could fit on a postcard – short and sweet and to the point. We needn’t obsess with exactly how they did it; we just want some ideas for how we might do something similar at our studio. Explore your own variations, inspired by these recordings.
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« Newer EntriesOlder Entries »Kiss
Real rooms and most artifial reverb programs decay gradually to silence. The kick reverb used here ‘un-decays,’ getting louder before abruptly cutting off. The AMS RMX-16 was used in this track. It inspired many others to offer a similar preset.
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« Newer EntriesOlder Entries »How Soon Is Now?
Here’s a nice tribute, with clues on how to do it yourself. httpv://youtu.be/SeE4mjS1BKM
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« Newer EntriesOlder Entries »Kiss
Real rooms and most artifial reverb programs decay gradually to silence. The kick reverb used here ‘un-decays,’ getting louder before abruptly cutting off. The AMS RMX-16 was used in this track. It inspired many others to offer a similar preset.
>more>
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Shure Unidyne
1939 First Single-Cartridge Unidirectional Microphoone Released to the world in 1939, the Shure Unidyne Microphone offered a unidirectional, cardioid pick-up pattern without using two diaphragms. Through acoustic signal processing, the diaphragm...
« Newer EntriesOlder Entries »First Distortion Pedal
1961: Distortion has been a part of audio from the beginning. Analog storage media from wax cylinders to vinyl platters, gain stages built of tubes or transistors — there was...
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